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Watch him as he baffles a live audience and then go behind the scenes as Osterlind
Techniken der Täuschung: Eine Kultur- und Mediengeschichte der Bühnenzauberkunst im späten 19. Jahrhundert | Katharina Rein Rabby The spectator selects any cardKatharina Rein's award winning dissertation in cultural studies is dedicated to stage magic in its "Golden Age" (ca. 18601900), which was characterized by scientific and technological innovation as well as by a flourishing media culture, the upheavals of industrialization, and the experiences of globalization and colonialism. Modern stage magic doesn't claim supernatural effects; rather, it presents technically created illusions, concealing their
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